The God of Small Things was first published in 1997, having taken more than four years to write, and then this novel met with a glowing critical reaction. In this Booker prize fiction Arundhati Roy comes up with its own poetics and aesthetics as it makes it different from the traditional one. The God of Small Things is one of its most striking and challenging features. The way in which story unfolds does not follow a conventional route from beginning to middle to end. The task of parodying the ordinary becomes all the more challenging. Throughout this novel Roy stresses the importance of things that are both big and small. In this article I have chosen one of the major parodic prop that is pickle and jams. How this prop is treated in this novel by her narrative style – the small is the parody of big